Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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GOSSAERT, Jan (Mabuse)
Adam and Eve

ID: 63046

GOSSAERT, Jan (Mabuse) Adam and Eve
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GOSSAERT, Jan (Mabuse) Adam and Eve


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GOSSAERT, Jan (Mabuse)

Flemish Northern Renaissance Painter, ca.1478-1532   Related Paintings of GOSSAERT, Jan (Mabuse) :. | Diptych of Jean Carondelet sdg | Lady Portrayed as Mary Magdalene sdf | The High Council sdg | Adam and Eve sdgh | Adam and Eve safg |
Related Artists:
Karl Edaurd Biermann
painted Finstermunz Pass in Tyrol in 1830
Oswald achenbach
German Painter, 1827-1905 was a German landscape painter. Born in Desseldorf, he received his art education from his brother, Andreas Achenbach. His landscapes generally dwell on the rich and glowing effects of color which drew him to the Bay of Naples and the neighborhood of Rome. From 1863 to 1872 he was Professor of Landscape Painting at the Desseldorf Academy. He died in Desseldorf of an inflammation of the lungs.
Agnolo Gaddi
Italian Early Renaissance Painter, ca.1345-1396 Son of Taddeo Gaddi. Through both his brother Giovanni and his father, Agnolo was heir to the Giottesque tradition and to a successful family enterprise, which he directed with enormous success up to the turn of the 15th century. He is first mentioned as a painter in 1369, when he assisted his brother Giovanni and Giovanni da Milano in decorations for Urban V (reg 1362-70) in the Vatican. Although he probably did not assume full responsibility for the workshop until his brother Giovanni death, he must have begun accepting his own commissions as early as the 1370s. The nature of his early work and whether it included an altarpiece dated 1375 (Parma, G.N., 435), however, remains a matter of debate. Logical or likely though it may be, the notion that this early activity developed out of his brother Giovanni still little-known art is hypothetical. Whereas the works grouped around Giovanni name are all small panels, Agnolo was an artist who, like his father, excelled in wall painting. Indeed, three monumental fresco cycles (see below), in the Castellani Chapel (painted c. 1384) and the choir (painted c. 1388-93) of Santa Croce, Florence, and the chapel of the Sacra Cintola (doc. 1393-5) in Prato Cathedral, constitute the artist most notable surviving works and offer a basis for reconstructing the content and chronology of his oeuvre.






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